Based on a story by Haruki Murakami, Korean master Lee Chang-dong’s remarkable new thriller BURNING was the most acclaimed film of Cannes, setting a record for the highest-ever score achieved in the 18-year history of Screen International’s prestigious critics’ poll. Novelistic in scope, grandeur and impact, and featuring three remarkable performances, it’s a gripping psychological study of thwarted love, ambition and obsession. While working as a courier in Seoul, aspiring young writer Jongsu (Yoo Ah-in) encounters the lively Haemi (Jong-seo Jun), a childhood friend from his hometown. The two spend the day together, and when Haemi asks him to feed her cat while she’s away on a trip to Africa, Jongsu is convinced of a burgeoning romantic relationship. But on her return, when he arrives at the airport to collect her in his run-down truck, Jongsu is surprised and confused to find Haemi accompanied by the handsome, Gatsby-esque Ben (a superbly enigmatic Steven Yeun, Okja, The Walking Dead). The three begin an awkward friendship, with Jongsu’s feelings for Haemi growing ever stronger, even if it’s apparent she has fallen under the spell of his rich and mysterious rival’s charms. Suddenly, after Ben makes a strange confession, Jongsu is led to question his motivations and he sets off on an increasingly desperate search to uncover the truth, even if the line between reality and imagination begins to blur. Anchored by a peerless cast, exquisite pacing and a pulsating original score by Mowg, Lee’s masterful film creates a tantalising mood of uncertainty and complexity, with the story’s themes of class, family, rage and lust rising feverishly to the surface. Teasing and noirish, BURNING is an impossible-to-forget big screen experience, and the best film yet from one of world cinema’s most internationally celebrated auteurs.